Find an element that perhaps you’ve taken for granted, and turn it into something fascinating. Look at what your character knows they need, and then remove that knowledge. Schwab, joined us in Phoenix to talk about crossover fiction—in this context the term means books that target a given demographic but which have a much broader appeal, or books which straddle the line between age demographics. ... A subreddit to discuss and share everything relating to the Writing Excuses podcast. Make a list of cool set pieces that people could visit. Credits: This episode was recorded aboard Oasis of the Seas … Continue reading 11.49: Elemental Ensemble, with Michael Damien Thomas →. … Continue reading 11.28: Impostor Syndrome, with Alyssa Wong →. The topic is about submitting to editors. The topic is beginnings. [Mary Robinette] Because you're in a hurry. Take something you’ve written, and gender-swap it. This week’s episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal. Listen closely and … Continue reading Writing Excuses Episode 24: Research →, We are pleased to present the second half of “Viewpoint and Tense,” which, as we all know, is Tense. Or, if you’re Howard, do both. To cap it off, we ask Stacy about her current … Continue reading Writing Excuses Episode 13: Submitting to Editors Part 2 →, Does magic need rules? Think back to your own childhood, and write up one of your young fears into a story. Well, we here at Writing Excuses have never met an ultimatum we didn’t immediately challenge, so today we take it head on. Season 4. Perdido Street Station, By China Mieville, narrated by John Lee, We’ve introduced the concept of Elemental Genre already. Stacy works there as an editor, and helps us understand the submission process, including acting like a professional, doing your research, following submission guidelines, and all sorts of things NOT to do with your submissions. Swan Song, by Robert McCammon, narrated by Tom Stechshulte, We have processed the applications, read the submissions, and made the extremely difficult decisions, and the dust has cleared to reveal the four incredible scholarship recipients for this year’s Writing Excuses Retreat. Describe it using those cool point-of-view tools that evoke wonder in the reader. In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. But we’ll say it anyway. The type of satisfaction we feel at the reveal may also reveal the elemental genre in which the element of mystery has been embedded. Here are some notes I took after listening to Writing Excuses. I noticed that there was no easy way to get Writing Excuses Seasons 1 through 7 short of downloading each individual file. You’re a writer, and the writing is almost paying the bills. Take a character who is not yours, but who you know all about. Write a scene twice: first, write it so that there’s humor, and then horror. How do you show a “best friend” relationship? We decided to end the season with a discussion of endings. Writing Excuses Retreat 2019 Scholarships! We also discuss hiding a lack of knowledge, and finding ways to get by without doing truly exhaustive research. Lost Stars, by Claudia Gray, narrated by Pierce Cravens. Create a crime scene where you know what’s been done, and who has done it. Credits: This episode was recorded aboard Oasis of the Seas … Continue reading 11.51: Ensemble as a Sub-Genre, with Lynne M. Thomas →. Season 8. New podcasts are published weekly on Sundays. What are the common mistakes that writers make when they start dressing their characters? This year we’re dividing the year into “master classes” or “intensive courses.” We’re kicking it off with Brandon’s episodes, which are all about the business of writing, and the first of those is this one! Cast your book! Season 6. Write down the arguments in favor of the side you disagree with, but don’t use strawman arguments. This list of notes is your “beat chart,” and it’s going to teach you neat things about your story. Can you learn tone? Put a mystery into whatever it is you’re working on. ), Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. How do you avoid making the wonder stale? Describe the same outfit from two different point of view characters. What draws the reader forward? How do you balance between two mysteries in the same story? How do you make … Continue reading Writing Excuses Episode 20: More Q&A from Conduit →, Enough of this highbrow literary crap–make with the funny! Writing is its own reward. Credits: … Continue reading 11.37: Casting Your Book, with Gama Martinez →. Howard: I’m Howard. Think of an emotion that contrasts, or foils, the primary emotion in the thing you were working on for the homework two weeks ago. Brandon, Howard and Dan talk about how to start a book and what’s important about the first line. It’s a short journey, as quests go, but we’ll all learn a valuable lesson about writing–and about ourselves. Beware! This is an index of my transcripts of the Writing Excuses podcasts. Watch it, and take notes of the things that define their relationship, and how it progresses. In our first Elemental Issue episode we asked you to read a magazine. With Michael’s help, we cover some specific sales techniques, guidelines for convention displays, and strategies for bookstore appearances, with an … Continue reading 11.50: Hand-Selling Your Book to Potential Readers, with Michael R. Underwood →. Writing Excuses began in 2008 with three hosts – Sanderson, Tayler, and Wells – accompanied by Brandon's brother, Jordan Sanderson, who serves as producer. This year we’ll start with some classes and events in Houston on September 25, and then we’ll hop on a cruise ship and head to Cozumel, Georgetown, and Falmouth. Is there a perfect length? We started with this one because “sense of wonder” is a term that gets used to describe what makes some science fiction stories work. Writing Excuses 11.1: Introduction to Elemental Genre. Adherence to a fifteen minute limit is not absolute, and Writing Excuses frequently runs to about 20 minutes. [Mary] Season 13, Episode 11. … Continue reading Writing Excuses Episode 10: Pacing →, So… you’re ready for the big-time. The seventh annual Writing Excuses Workshop and Retreat is going to be amazing! Writing Excuses Episode 11: The Business of Writing. It is mostly useful to writers. (“That’s the LAST time I send you out shopping for Gollums, son…”) Liner Notes: The Evil Overlord List, a handy reference for tropes to avoid (or, as the case may be, exploit…). Let’s foreshadow the failure state: look at something you’ve recently written, and then go back and insert a character who represents the failure state that your protagonist must avoid. Google Sites. Then begin removing the ones that characters would not notice. If you’re new to Writing Excuses, or if you’re just curious about some of the terminology we use, let us break it down for you. Sitemap. We cover free-writing, re-reading and reviewing, and focusing on your motivations for writing… … Continue reading Writing Excuses Episode 16: Butt In Chair, Hands On Keyboard →, The Writing Excuses crew tackles writer’s block again, this time approaching the “This Sucks And I’m A Horrible Writer” mindset. The Starlit Wood: New Fairy Tales, edited by Navah Wolfe (available October 18th, 2016. Season 5. (Note: When we say “two weeks ago” over and over, that’s just bad math. Everyone says you can’t teach style–each writer just has to figure it out on his or her own. Find a cool idea, and then brainstorm twenty stories you could tell, using that idea as the core element. [[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/writing_excuses_logo.png]] So this is what you wanted to know! Why do we like adventure? You haven’t missed an episode.) The sheet is read-only, but you can copy it or print it or whatever you need to do in order to create one of your own. The Elemental Issue is similar to the Elemental Idea, but the type of idea being explored is a point of social conflict, like racism, teen pregnancy, or corporate greed. Wonder as Subgenre. The word “drama” gets thrown around a lot. What do they fear? This time around he’s talking about placing your product in the hand of your customer, the reader. It’s a great opportunity to learn more about how an author and editor work together to help make a book the best it can possibly be. Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin. Are plot twists necessary? Grab a romantic comedy of some kind. Take your notes from the rom-com homework two weeks ago, and build a different relationship onto those beats. Practice your cliffhangers! So… your career is your business. Writing Excuses Season 10, the podcasted master-class, continues with this exploration of that critical second step: what do do once you’ve got an idea that has story-legs. Pull some of your favorite books down, examine the dialog itself, without tags, and determine what tricks the writer has used to differentiate the character voices. Season 11: Elemental Genres. This episode of Writing Excuses has been brought to you by Audible. Victoria Schwab, who also writes as V.E. Thud, by Terry Pratchett, narrated by Stephen Briggs, In this episode we field some questions about elemental mystery. Pair this with another subgenre. How do you decide the pacing … Continue reading 11.39: Elemental Relationship Q&A, with Greg van Eekhout →. Write a character sketch of them. a guest Nov 9th, 2015 855 Never Not a member of Pastebin yet? And how lovable can a group of mercenaries be? It’s that time again: it’s a new year, and that means a new Writing Excuses Workshop and Retreat! (Note: When we say “two weeks ago” over and over, that’s just bad math. Why is it scary? Other versions are available here, and of course there are plenty of other books from Mary on Audible. If you’re stuck because you think your … Continue reading Writing Excuses Episode 17: This Sucks and I’m a Horrible Writer →, While at CONduit, we recorded three episodes of Writing Excuses in front of an audience, and this is the first of those. : Lightspeed Magazine Special Issue, edited by Christie Yant, Mystery may well be the most common element in use, at least in some form or another, across the many bookshelf genres comprising “fiction.” We discuss the driving force of elemental mystery, how to evoke those feelings in the reader, and the importance of being able to write mystery effectively. Apply a sense of wonder to something small and ordinary. I knew to finish on time I’d need to wring every ounce of writing … Season 12: Structure. Only you can let go of all e… Credits: … Continue reading 11.29: Elemental Thriller as a Subgenre →. Identify something about your location that would provide, in an alternate universe, a source of magic unavailable in other locations. This is a narrow definition of the word, but it’s a very useful way to look at books where the … Continue reading 11.40: Elemental Drama →. Arguments about whether a particular work is, or is not, part of a given genre are long, and tedious. Pick a city and write what you think it will look like in the year 2045. When we say “stakes,” we’re referring to the things that keep our characters involved in the conflict, rather than just walking away and doing something else. Elizabeth Bear and Scott Lynch joined Howard and Dan at GenCon Indy to talk about fantasy food, and how we engage our readers’ appetites with our fiction. How do you keep your artistic side from accusing you of selling out? Season 6. We begin in Houston, TX, on September 13; we’ll visit Cozumel, Georgetown, and Falmouth, and end up back in Houston again on September 22. Experiment with the placement of chapter breaks, new questions, and big reveals, and work on each of these methods as a way to satisfactorily encourage that page turn. * *Heartfelt lessons about … Continue reading Writing Excuses Episode 23: Viewpoint →, How much research do you do? More importantly, how do we as writers get that driver … Continue reading 11.32: The Element of Humor →. HOW is it scary? How do you use each appropriately in your writing? And it can’t be silly. How do I give … Continue reading 11.52: Elemental Ensemble Q&A, With Claudia Gray →, A Million Worlds With You, by Claudia Gray, narrated by Tavia Gilbert, Writing Excuses 11.1: Introduction to Elemental Genre, 11.11: Self Publishing in 2016, with Michaelbrent Collings, 11.12: Idea as Subgenre, With Nancy Fulda. Sometimes yes and sometimes no; our intrepid podcasters talk about how to know which situation is which, and explore the pros and cons of each method. As Napoleon Bonaparte is rumored to have said prior … Continue reading 11.Bonus-03: Some Books Have Maps in the Front, with Maurice Broaddus, Mur Lafferty, and James Sutter →. You’ll arrive back in Houston again on October … Season 11: Elemental Genres. Take two scenes, each with a different conflict—a logistical one, and an emotional one—and blend them into a single scene. Complete Season 3 of Writing Excuses.I take no credit for this work. [Brandon] We are so happy to have Charlaine on the podcast. Leviathan Wakes, by James S.A. Corey, narrated by Jefferson Mays, L.E. Happy Halloween! This year we’re dividing the year into “master classes” or “intensive courses.” We’re kicking it off with Brandon’s episodes, which are all about the business of writing, and the first of those is this one! Thrillers are, by their very nature, page-turners. This podcast contains spoilers for The Lord of the Rings, Return of … Continue reading Writing Excuses Episode 22: Doing The Unpopular →, You’ve heard about viewpoint, but do you really know what it means? When do you not use a cliffhanger? WX Trivia: Episode 11.34 represents a pair of firsts for us here at Writing … Continue reading 11.34: Humor as a Sub-Genre →. Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Liner Notes: we mentioned Episode … Continue reading 11.23: The Element of Mystery →. Can you put a traitor into an ensemble story? Credits: This episode was recorded by … Continue reading 11.Bonus-01: Characterization and Differentiation, with Robin Hobb →. How do you maintain tension during dialog? Javelin Rain, by Myke Cole, narrated by Korey Jackson, Trina Marie Phillips joined us at Phoenix Comic Con to talk about her work as a futurist. This episode runs … Continue reading 11.46: Colonialism, with Steven Barnes, Tempest Bradford, DongWon Song, and Shveta Thakrar →. Discover along with Howard the magic world of person, tense, and omniscience, and how you can use them to tell your story. The Voices of the Martyrs, by Maurice Broaddus (audiobook not yet available), For November, our elemental genre is “Issue,” and we were joined by actor, writer, and comedian Desiree Burch. … Continue reading 11.26: Elemental Mystery Q&A →. 477. Bring a side character from the future, bring them back to the past and write a story about them. We begin with the difference … Continue reading 11.44: Project in Depth, GHOST TALKERS, by Mary Robinette Kowal →, (and because we’ve mentioned that one recently…), Your Psychic Powers, and How to Develop Them (1920), by Hereward Carrington. Look at some of the elemental genres we’ve already discussed. Writing Excuses - Season 7 Episode 18 featuring Mary Robinette Kowal, Brandon Sanderson, Howard Tayler and Dan Wells with special guest James A Owen. and with that out of the way… What is the driving force that gets readers to turn pages in a book that is primarily a work of humor? Liner Notes: Trina mentioned some online resources … Continue reading 11.31: Futurism, with Trina Marie Phillips →. Season 9. Force the character to figure out WHAT they need. Spoiler Alert! Season 12: Structure. The Watchmaker of Filigree Street, by Natasha Pulley, narrated by Thomas Judd, This is a Q&A about ideas that does NOT include the question “Where do you get your ideas?”. Your Hosts: Dan, Mary Robinette, and Brandon Welcome to 2021, and Season 16 of Writing Excuses. How does it change their thoughts and motivations (and swear words)? How do we, as writers, get the most out of them? A word count in motion tends to remain in motion. In the first of our series on genres, we discuss why people write Sci-Fi, what you need to know to write Sci-Fi, and how much we all love unicorns. Season 15: Topics You Asked About! LINER NOTES: Howard repeatedly invoked John August’s blog post about heroes, protagonists, and main … Continue reading Writing Excuses Episode 5: Heroes and Protagonists →. We talk about how to use wonder at smaller scales, how to create it with context, … Continue reading 11.08: Wonder as a Subgenre →. Brandon, Howard and Dan discuss where their ideas come from and Howard tells us a little too much about his love of Pepsi. : Brandon, Howard and Dan discuss where their ideas come from and Howard Victoria Schwab who... Describing the clothing our characters are wearing Season with a fantasy fuel that extreme... At computer dot org Excuses frequently runs to about 20 minutes, sensory engagement, how. ( say, the reader: Adventure as a Sub-Genre → out how your characters, you! 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